In a way, Sketchbook was a mid-career survey of a still relatively young artist, William Stockman, who came on strong in the mid-1990s as one of a group of artists who revitalized the Pirate co-op. Almost immediately, it was onward and upward, with Stockman getting a piece into the Denver Art Museum's collection -- no mean feat for a then-emerging local -- and bouncing around between some of the city's top commercial galleries, most recently landing at Ron Judish Fine Arts, which hosted Sketchbook. The show explored the all-sizes-fit-one range of Stockman's drawings, which are distinct in style from his equally distinguished paintings. The show included small, intimate sketches, larger-presentation drawings, oversized drawings and even one mammoth drawing applied directly to the wall in the manner of a mural. They all sported enigmatic narrative content and hand-scrawled text coming together to literally shade our understanding of Stockman's vision.

Readers' choice: Aaron Alden at Kung Fu Kitchen