Seven months after his father suffered a stroke, Arthur Kopit tried to understand his dad's altered state by penning a series of surreal episodes that revolve around a former aviatrix's post-stroke experiences. Propelled by Terry Dodd's masterful direction, Martha Greenberg's superb portrayal proved a moving account of one woman's struggle to find her place in a strange, yet achingly familiar, world. Whether she was trying to comprehend the non sequiturs barked out by hospital aides or piecing out her own imperfections during the gratifying final scene, Greenberg maintained an iron grip on the ancient navigator's bedeviled wonderment. Backed by Charles Dean Packard's eerie lighting design and El Armstrong's unobtrusive sound effects, Greenberg's performance allowed Kopit's play to soar.