Following his own muse and intuition, local six-stringer Neil Haverstick coined the term "micro-noodling" a few years ago in reference to his disciplined knack for coaxing more than twelve notes from a musical scale. Using custom-built instruments (including an electrified ax capable of producing 34 tones per octave), Haverstick brought his sixth and best annual Microstock Festival to St. Paul's Church last fall with koto player Yoko Hiraoka, waterphonist John Starrett and customized keyboard tickler Chris Mohr. Darkly exotic "space music" might best describe the evening's display of electronic meditation -- an aesthetic that Haverstick continually expands upon with his obvious love for exotic Indian and Arabic sounds. (See virtualchautauqua.org/haverstick for samples.) Sometimes fretless, always seamless, his soft-spoken tribute to outer space makes infinity seem damned near containable.