Producer-director (and marketer) Dan Wiley bet he could stage this edgy, contemporary musical about a city suffering a drought so bad its inhabitants are forced to pay to pee -- and executed for freelance urination -- in the Denver Department of Public Works' Wastewater Management Building. He rigged up a stage, cast a group of talented actors, tinkered with the continuing sound problems of his venue, and came up a winner. Urinetown was one of the brightest and most appealing musicals of the year, and it attracted the kind of alert young audience many local theaters would kill for.