Denver painter Homare Ikeda, who was born and raised in Japan, made his reputation with densely composed nature-based abstractions so methodically produced that it sometimes took years to complete one. But after receiving a fellowship to work at Omaha's Bemis Center for Contemporary Arts, Ikeda had a change of heart and decided to work much faster, creating more than 100 pieces during his few short months at Bemis. Surprisingly, kicking up his speed didn't affect the quality of his work in any way, and the prints and drawings in Homare Ikeda count among the best things he's ever made.