There's always been plenty to say about the Lion's Lair. From the artists on the stage to the cast of characters who occupy its dark corners at all hours, the Lair is one of Denver's most storied haunts. Yet the conversation got more interesting when Matthew Hunter, the Lair's longtime manager, launched a bi-monthly series of art exhibitions last spring. Hunter, a painter, sculptor and bass player for local bumcore combo Slakjaw, invites artists to contribute works under a broad theme: A recent show featured ruminations on barns; another was a sublime and squirm-inducing homage to Christ. Hunter's own work, which blends a trampy innocence with dark humor and found objects, is intriguing, unsettling and original. Hunter's exhibitions prove that art can live anywhere — even nailed to the crackling red plaster of a Colfax dive.
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