Tony Kushner's Homebody/Kabul was a gutsy choice for Curious Theatre Company — not least because it began with a one-hour monologue in which a conventional Englishwoman clutching an outdated travel guide to her breast expressed her longing to see Afghanistan. She cited facts from the guidebook, embellished them with her own imaginings, and contrasted these ideas with her own safe and comfortable existence in London. She mused on the passage of time, played passionately with language. This Homebody was an essentially unhappy woman who was also somehow filled with curiosity and joy — and Dee Covington made her fully and achingly human. After the monologue, the Homebody disappeared for the rest of the four-hour play, but her spirit stayed with us.