In 1980, a group of friends opened an alternative art space in a then-rough part of town and gave it the difficult and unconventional name of Pirate: a contemporary art oasis. But the co-op's name perfectly reflected the difficult and unconventional work that has so often found a home in the space at 3659 Navajo Street. Now, more than twenty years later, the original members have mostly scattered to the four winds. The exception is Phil Bender, who has not only remained as an active Pirate member, but has also run the place and kept it going during many dry spells. In addition, Bender has presented a solo exhibit of his own work at least once a year since Pirate's founding. For last summer's Bender bender, Paris, Paris Architecture, Etc., Etc., he covered the walls with hubcaps, postcards, coasters and other found items -- playing off his longtime penchant for using objects collected in multiples and putting them together in unlikely combinations to create pieces that are greater than the sum of their parts. Truly, Bender's unwavering dedication through the years has set a fine example for other artists.
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