Best Proof That Action Can Be Worth a Thousand Words
Playwright Martin McDonagh has a wicked way with words, but he also understands that they're only one of the ways theater communicates. Mick Dowd, the protagonist of A Skull in Connemara, is a handyman who has to dig up old skeletons in the village cemetery every year to make room for more. In the particular year in which the play is set, he's forced to exhume the body of his wife -- whom he may have murdered. Eventually, Dowd's kitchen table is covered with skulls, femurs and pelvises, and he and his teenage assistant, falling-down drunk, are pulverizing the bones with hammers. The dialogue remains uproariously funny, but under the skilled direction of the Denver Center's Anthony Powell, it was the action that riveted and illumined. The splintering bones in this play told a story. It was about the protagonist's mental state, certainly. But it also suggested that on some level, all of us are flailing around in a charnel house.
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