Working with Flying Lotus and Mainframe, GLK produced Gonjasufi's 2010 debut album, A Sufi and a Killer which blurred the line completely between dub, experimental hip-hop and psychedelia. Those lessons GLK took to his own debut full length record, 2012's Breakthrough. Much like his supremely eclectic DJ sets, cultivated during his years spinning in San Diego and L.A., revealed GLK's gift for amalgamating ideas distilling them in fascinating ways so that Arabic and Persian rhythms could intertwine seamlessly with psychedelic rock and hip-hop.
GLK's idiosyncratic live sets can be hyperkinetic and deeply rhythmic or chilled out grandeur, and often some of both. That the man has been invited to play festivals as different in focus as Coachella and Austin Psych Fest is some indication of the cross-genre nature of his music. If you go, it won't be the standard DJ and laptop and obligatory throwing hands in the air between triggering and controlling beats on offer.
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If you'd like to contact me, Tom Murphy, on Twitter, my handle is @simianthinker.