Movie Reviews

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Crossing Color Lines Andrea Arnold Braves Lines of Color
By Michael Atkinson, October 18, 2012
British filmmaker Andrea Arnold's remarkable new adaptation of Wuthering Heights comes packing some redoubtable weapons, including the most... More>>
Girl Model is both unsettling and unusual Girl Model
By Michelle Orange, October 18, 2012
Although the title of directors David Redmon and Ashley Sabin's dual portrait of two players in the underage-modeling world might suggest an... More>>
Car Show Leos Carax on Holy Motors, Filmmaking and More
By Steven Erickson, October 18, 2012
"This film was born out of the rage of not being able to make other projects," Leos Carax says of Holy Motors, an anomaly in the French... More>>
You Don't Scare Me The Rise of Found-Footage Horror
By Chris Packham, October 18, 2012
This week's Paranormal Activity 4 continues the story of an extended American family whose members own a lot of surveillance cameras, camcorders,... More>>
The Waitsian Range Tom Waits, Character Actor
By Eric Hynes, October 18, 2012
In Martin McDonagh's Seven Psychopaths, a prune-faced, simian-mouthed sexagenarian sits by the road in an old suit and brown-patterned tie, and... More>>
The honest Detropia is an elegy for Motown-era Detroit Detropia
By Karina Longworth, October 18, 2012
When it comes to cost-cutting, downsizing and philosophical and practical compromise, how low is it possible to go before there's nothing left to... More>>
Wave of the Future Ava DuVernay on the Future of Black Film
By Ernest Hardy, October 18, 2012
"Positive characterizations are complex characterizations," says writer-director Ava DuVernay, tucking into a serving of roasted potatoes.... More>>
Seven Psychopaths is both violent and pacifist...and somehow life-affirming Nasty Boys
By Alan Scherstuhl, October 11, 2012
Perhaps you've lost faith in movies about amusingly digressive criminals. Maybe you believe it's no longer possible to be pleasurably jolted by... More>>
In Decoding Deepak, a son chronicles his father's private and public lives Decoding Deepak
By Karina Longworth, October 11, 2012
Made and narrated by a son in an attempt to reconcile his own perception of his father with that of the public at large, Gotham Chopra's Decoding... More>>
The symbolism in Argo's wisecracking script is impossible to miss Hearts and Minds
By Karina Longworth, October 11, 2012
Perhaps more than any other male American star of his generation, Ben Affleck understands the narrative advantage of having Hollywood on your... More>>
Tim Burton's Frankenweenie puts imagination back into animation Frankenweenie
By Chris Packham, October 04, 2012
Ever since Mars Attacks!, Tim Burton has mostly been in the adaptation business, rendering dark and be-curlicued Sleepy Hollows, Alice in... More>>
Stylistic consistencies in V/H/S draw attention to inconsistent performances V/H/S
By Karina Longworth, October 04, 2012
In the faux-found-footage horror anthology V/H/S (containing material directed by Joe Swanberg, Adam Wingard, Ti West and others), a crew of... More>>
17 Girls offers style without much substance 17 Girls
By Thembi Ford, October 04, 2012
17 Girls (17 Filles), set in the small, depressed French seaside town of Lorient, makes a big deal about having been inspired by a true story... More>>
David France examines the history and survival of ACT UP David France on the Plague Years
By Simon Abrams, September 27, 2012
"Death wasn't being responded to as a public health problem," David France says. "It was dealt with with sniggers. It was left to religious... More>>
Animator Genndy Tartakovsky still goes it alone Toon Time: Genndy Tartakovsky and Hotel Transylvania
By Simon Abrams, September 27, 2012
"I hate realism," director Genndy Tartakovsky said last week over the phone. "In America, especially, we're very narrow-minded as far as... More>>
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Box Office

  1. Iron Man 3, 72.5 mil, 284.9 mil
  2. The Great Gatsby, 50.1 mil, 50.1 mil
  3. Pain & Gain, 5.0 mil, 41.6 mil
  4. Peeples, 4.6 mil, 4.6 mil
  5. 42, 4.6 mil, 84.7 mil
  6. Oblivion, 4.1 mil, 81.9 mil
  7. The Croods, 3.6 mil, 173.2 mil
  8. Mud, 2.5 mil, 8.6 mil
  9. The Big Wedding, 2.5 mil, 18.3 mil
  10. Oz The Great and Powerful, 1.1 mil, 230.3 mil
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