Girl Named Kyle

No, the world hasn't been waiting for another folkish band fronted by a precocious, big-voiced singer, and the familiar nature of the strummier material on Let's Build doesn't help separate Girl Named Kyle from the pack. Take the concluding "Epar," which contains the confession "I feel like I've been here...

By Michael Roberts

June 5, 2008

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No, the world hasn't been waiting for another folkish band fronted by a precocious, big-voiced singer, and the familiar nature of the strummier material on Let's Build doesn't help separate Girl Named Kyle from the pack. Take the concluding "Epar," which contains the confession "I feel like I've been here before" — a sentiment with which many listeners will be able to identify. But the album's more introspective tracks, including "Elephants & Emperors," "Concrete Leaves" and "Toxins," make a stronger showing, allowing Kyle Simmons to deliver warm, round tones over backdrops underpinned by Pete Schmidt's resonant keyboarding and Tracy LaGuardia's atmospheric violin. The best tunes here give Kyle something to Build on.

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Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

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