Starlight Mints

Spending time with the Starlight Mints' latest release, Drowaton, is like wandering through a carnival funhouse, bouncing down rippling hallways past mind-bending mirrors to the bipolar accompaniment of lusty keyboard swirls, dagger-wielding lyrics and sighed choruses. Funny thing is, the longer you stay in the Mints' funhouse, the more the...

By Lori Ellison

April 27, 2006

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Spending time with the Starlight Mints' latest release, Drowaton, is like wandering through a carnival funhouse, bouncing down rippling hallways past mind-bending mirrors to the bipolar accompaniment of lusty keyboard swirls, dagger-wielding lyrics and sighed choruses. Funny thing is, the longer you stay in the Mints' funhouse, the more the band's jabberwocky vibe starts to feel just right. The foursome has been mutating conceptual pop since the '90s, and Drowaton is its third hum-friendly release. Wistful vocals bop playfully over turbulent melodies, insistent drums and loping guitars. Smart-ass horns and sophisticated strings are lovingly layered lasagna-thick with head-tilting sound effects -- from R2D2-worthy whirring to random kazoo buzzing and cheerful sea-chantey whistling. While the band's lyrics dip into surrealism at times ("All he ever wanted was the key to everything, a sordid memory and four new batteries"), the obtuseness of the poetry fits ever so comfortably within the musical mayhem around it. Sure, the Starlight Mints seem a bit off-kilter. That's the point

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