All of this experience benefits Still, but it doesn't completely explain it. After two throat-clearing bits of colorful filler, the disc begins in earnest with "Asphalt Road," where a gripping bass line, a clever guitar riff and nitro-burning steel guitar work (from Douglas McCombs of Tortoise) are supremely handled. The speedy percussion is that double yellow line running down the center of the sound, and Garner and Brown's dual voices are like wind through the hair. The cavernous effects, unidentified glitches and Garner's soulful vocal warmth star in "Let Us Out." With Doug Weiselman's saxophone brightening it up, "Absorbed" might work as a raver's reveille. But like "Damp Spirit," it's uneventful. The vocal treatment and minimalist presentation on John Lennon's "It's So Hard" come across as a seductive, futuristic Alan Lomax field recording. Though it packs more of the tempo and energy of vintage Gang of Four than DNA, "Bomb Squad" underscores the duo's no-wave roots. Even better, Brown sings coolly "Walks by and blows a fuse/Walks by and blows a few kisses." On "Swimmingly," it all comes together: desert-mirage guitar, plodding drums, a dripping Dali-esque bass clarinet (perhaps), spidery bass and Garner's vocals so intimate they could be passing the other way through one's ears. "Short and Semi-Sweet" and "Molly My" continue with creative vibes, and "Fussy Fuss" ends it with a tricky throwaway that morphs into a right and honorable new wave guitar anthem. If anything, Still proves that categories are for butterfly collectors, not music lovers.