Toby Keith

Those of you who hate Big Toby's right-wing orthodoxy are making a mistake if you reject his music, too. Sure, he's got a reactionary streak an acre wide, but so do Merle Haggard and plenty of other country artists worth hearing. Dismissing him because he's not the Dixie Chicks' ideological...

By Michael Roberts

November 4, 2004

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "12017618",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17242653",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17261320",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17261321",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Those of you who hate Big Toby's right-wing orthodoxy are making a mistake if you reject his music, too. Sure, he's got a reactionary streak an acre wide, but so do Merle Haggard and plenty of other country artists worth hearing. Dismissing him because he's not the Dixie Chicks' ideological cousin is like expecting Lauryn Hill fans to burn all their Jay-Z discs. Besides, Keith's politically incorrect style is a gigantic relief, given the considerable percentage of Trashville contemporaries who are sensitive, mature and monumentally dull. In some ways, Greatest Hits 2, his latest collection, is a parade of wrongness, including "Stays in Mexico," a current smash that celebrates, rather than castigates, infidelity, and the one-two punch of "How Do You Like Me Now?!" and "I Wanna Talk About Me," in which he comes across as the most egocentric jerk this side of Donald Trump. But when Keith's bad, he's better. Indeed, the new album's sweetest moment, a just-recorded duet pairing him with his teenage daughter, Krystal, on the James Taylor-Carly Simon pukefest "Mockingbird," is far and away its worst. On CD and in concert, Keith's cocksure swagger turns the choicest of his tunes into guilty pleasures even lefties can love.

KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.

Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

Follow:

Facebook: 111180895657427

Twitter: @mikerobertscolo