On Real Gone, Waits, who co-produced the disc with his wife, Kathleen Brennan, uses an extremely limited sonic palette, blending gutbucket guitar (most of it played by Marc Ribot), bass (Les Claypool pitches in), various percussive devices (Brain often mans the skins), turntable noises (son Casey Waits contributes here) and his own often-distorted vocals. The music that emerges is highly rhythmic, but when Waits puts rawness above all else, as he does on "Shake It" and "Top of the Hill," the results are more pose than song. Far better are "Baby Gonna Leave Me," which finds a great groove inside the noise, and "Sins of My Father," a track that haunts because of its subtlety, not in spite of it. That's what getting Gone is all about.