I could use this entire page — and many more — to talk about what a lost opportunity the 2010 Biennial of the Americas turned out to be. I'd start out by exploring the story of the stillborn "In Good We Trust" theme thought up by Bruce Mau, who split from the project. I could then talk about how the members of the board of the Biennial appear to have as little interest in art generally — and in Colorado art, specifically — as the laws of physics will allow. I could go on to discuss how boring many of the events sound, like discussions with such mind-numbing titles as "Education: The Achievement Gap" or "Trade: Leveraging Partnerships for... More >>>