The year is 1921. Aram Tomasian, a survivor of the 1915 massacre of Armenians by the Turks, is trying to make a life for himself in Milwaukee. He has bought himself a picture bride, a fifteen-year-old orphan called Seta. Aram is young, but he's rigid and traditional in his thinking, and the trauma he's endured has only intensified these tendencies. He keeps a photograph of his murdered family on the wall, with the faces cut out, and is determined that he and Seta will fill these blank spaces by producing "life after life after life." The newly arrived Seta is lively and irrepressible, but she's also a frightened child, clinging to the doll her mother gave her. The tone of these early scenes is fresh and original, and they tremble between humor and horror. We fear for the vulnerable Seta, but we can't really hate poor, damaged Aram for his blind insistence on his... More >>>
Gemma Aguayo and Sotirios Ilia Livaditis in
Beast on the Moon.