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Host Kai Turner makes Sundays especially holy, with three hours of choice three-chord music from 7 to 10 p.m. each Sabbath. Turner has taste and does his homework, bringing both established blues stars and unsung heroes to local ears. And he's not afraid to spin a few things that stretch his show's handle by a few bars.
On her Gospel Chime, Madame Andrews provides a Sunday service like no other by playing the very best in soul-stirring music from 7 to 9 a.m. Andrews -- a holy crooner herself -- spins old and new heavenly tunes and gives the faithful a valid excuse for skipping church. Can we get a witness?
On her Gospel Chime, Madame Andrews provides a Sunday service like no other by playing the very best in soul-stirring music from 7 to 9 a.m. Andrews -- a holy crooner herself -- spins old and new heavenly tunes and gives the faithful a valid excuse for skipping church. Can we get a witness?
Each Monday night at 7, Boulder's big-hearted, volunteer-run station lets local acts command its airwaves. The resulting Cabaret is a rare hour of live radio and a chance for area players to reach an equally rare audience. A public-service program of the finest sort.

Each Monday night at 7, Boulder's big-hearted, volunteer-run station lets local acts command its airwaves. The resulting Cabaret is a rare hour of live radio and a chance for area players to reach an equally rare audience. A public-service program of the finest sort.

Esteemed trumpeter and local luminary Hugh Ragin is arguably the area's most accomplished jazz performer, if not its most active. The Fort Collins-based educator is a traditionalist, equally at home fast-boppin' as he is dabbling with neo-swing, rendering a soulful ballad, or flat-out improvising. Combining a freethinker's multi-layered sensibility with simple monster chops, Ragin has spanned collaborating with the Art Ensemble of Chicago and Sun Ra to composing electronic pieces for Pauline Oliveros's Deep Listening Band. A recent tribute to Philly horn-blower Lee Morgan plus the exquisite release of An Afternoon in Harlem made 1999 a memorable year for the ever-widening support of Raginomics.

Esteemed trumpeter and local luminary Hugh Ragin is arguably the area's most accomplished jazz performer, if not its most active. The Fort Collins-based educator is a traditionalist, equally at home fast-boppin' as he is dabbling with neo-swing, rendering a soulful ballad, or flat-out improvising. Combining a freethinker's multi-layered sensibility with simple monster chops, Ragin has spanned collaborating with the Art Ensemble of Chicago and Sun Ra to composing electronic pieces for Pauline Oliveros's Deep Listening Band. A recent tribute to Philly horn-blower Lee Morgan plus the exquisite release of An Afternoon in Harlem made 1999 a memorable year for the ever-widening support of Raginomics.

Many solid locally oriented music sites have popped up over the past few years, but denver-rocks.com remains the URL of choice for the sheer volume of information contained in its many pages. Most impressive is its directory of other sites: Separated by genre, the listings lead to the personal home pages of most local bands worth their salt in megabytes. A calendar of live music events, CD reviews and audio samples, links to e-zines, and music-oriented publications help this site rock as much as the music it promotes.

Many solid locally oriented music sites have popped up over the past few years, but denver-rocks.com remains the URL of choice for the sheer volume of information contained in its many pages. Most impressive is its directory of other sites: Separated by genre, the listings lead to the personal home pages of most local bands worth their salt in megabytes. A calendar of live music events, CD reviews and audio samples, links to e-zines, and music-oriented publications help this site rock as much as the music it promotes.

Best online ranting about local music (and everything else)

The Hooligan www.thehooligan.com

When John Reidy migrated to Ireland earlier this year, it seemed that the end was in store for his caustic publication and companion Web site. Fortunately, Reidy's recently been spotted roaming the dark corners and dusty taverns of D-town, and The Hooligan is once again fooling about, at least as a digital entity. That's good news for those who enjoy Reidy's pummeling of sacred topical cows; the site contains writing on everything from local bands, commercial radio, advertising, movies, television, print media and society at large (recent offerings include the essay "Americans Are Fucking Nuts!"). Reidy's return is bad news, perhaps, for those who find themselves on the receiving end of his hypertext assaults and others who simply fear the f-word. But fuck that. This is one hooligan we're happy to welcome back to town.

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