Best community-theater production 2000 | Of Mice and Men | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
Navigation
Support Us
Search

Best community-theater production

Of Mice and Men

The committee that awarded the 1962 Nobel Prize for literature cited John Steinbeck for his "sympathetic humor and sociological perception." While the Morrison Theatre Company's "Of Mice and Men" didn't always glisten with professional luster, director Alan Osburn nonetheless evoked Steinbeck's paean to companionship by encouraging portrayals that were as down-to-earth as a Frederic Remington painting. Thanks to the symbiotic bond that developed between Michael Wilson's George and Rick Bernstein's Lennie, the company's plainspoken ode to friendship resonated with two-fisted -- and quintessentially American -- candor.

Best environmental/experimental production

Picasso at the Lapin Agile

Smaller in scope and more conversational in tone than most mainstage versions, the Avenue Theatre's production of Steve Martin's Picasso at the Lapin Agile was nearly as amusing and, at times, more affecting. More than anything else, though, director John Ashton's environmental show, which was presented in a vacant bar/restaurant space (the former Mike Berardi's), personalized the comedian/movie star's debate about art and science by eliminating most of the barriers that typically separate artist from audience. On the strength of Joan and Nick Cimyotte's handsome setting, Charles Dean Packard's moody lighting scheme and some clever special effects, the site-specific version hardly resembled an intellectual exercise. And even though they weren't Stoppardian ideologues, the performers' earthy portraits proved the pièce de résistance in Ashton's intimate, if not always immaculate, conception.

Best environmental/experimental production

Picasso at the Lapin Agile

Smaller in scope and more conversational in tone than most mainstage versions, the Avenue Theatre's production of Steve Martin's Picasso at the Lapin Agile was nearly as amusing and, at times, more affecting. More than anything else, though, director John Ashton's environmental show, which was presented in a vacant bar/restaurant space (the former Mike Berardi's), personalized the comedian/movie star's debate about art and science by eliminating most of the barriers that typically separate artist from audience. On the strength of Joan and Nick Cimyotte's handsome setting, Charles Dean Packard's moody lighting scheme and some clever special effects, the site-specific version hardly resembled an intellectual exercise. And even though they weren't Stoppardian ideologues, the performers' earthy portraits proved the pièce de résistance in Ashton's intimate, if not always immaculate, conception.

Best new play

Waiting to Be Invited

The sometimes bloody sit-ins that took place at "whites only" lunch counters throughout the South inspired dramatist S.M. Shephard-Massat to write Waiting to Be Invited, a tale of four unlikely heroes who put the Supreme Court's anti-segregationist rulings into practice. Largely conversational in tone, yet naggingly urgent in feel, the Denver Center Theatre Company's world-premiere production demonstrated that the everyday actions of ordinary folk are just as crucial to the fight for social justice as the vaunted declarations of philosophers, clerics and statesmen. And even though the play didn't culminate in a gripping, over-the-lunch-counter confrontation, Shephard-Massat emphatically made the point that standing up for equal rights means being willing to risk physical harm for the sake of mere belief. As DCTC patrons discovered nightly, that's an idea worth standing up for and cheering about.

Best new play

Waiting to Be Invited

The sometimes bloody sit-ins that took place at "whites only" lunch counters throughout the South inspired dramatist S.M. Shephard-Massat to write Waiting to Be Invited, a tale of four unlikely heroes who put the Supreme Court's anti-segregationist rulings into practice. Largely conversational in tone, yet naggingly urgent in feel, the Denver Center Theatre Company's world-premiere production demonstrated that the everyday actions of ordinary folk are just as crucial to the fight for social justice as the vaunted declarations of philosophers, clerics and statesmen. And even though the play didn't culminate in a gripping, over-the-lunch-counter confrontation, Shephard-Massat emphatically made the point that standing up for equal rights means being willing to risk physical harm for the sake of mere belief. As DCTC patrons discovered nightly, that's an idea worth standing up for and cheering about.

Best one-person show

Deborah Persoff in Full Gallop

From the moment she strode through the red-curtained archway of Diana Vreeland's Manhattan residence, Deborah Persoff exuded an ebullience that one typically senses only from established performers appearing in test-marketed star vehicles. Suffused with a regal pride that verged on but never became haughtiness, Persoff cut a commanding figure in Full Gallop while spouting the legendary Vogue editor's slew of pithy fashion statements. Despite the inherent weaknesses in Mark Hampton and Mary Louise Wilson's script, or perhaps because of them, Persoff and director Chip Walton complemented each other's strengths to offer up an engaging evening of style, whimsy and steely sophistication. And as Persoff moved about the stage with near-balletic flair, it became clear that her mother's belief that Diana lacked natural beauty was, on the whole, a monumentally superficial observation.

Best one-person show

Deborah Persoff in Full Gallop

From the moment she strode through the red-curtained archway of Diana Vreeland's Manhattan residence, Deborah Persoff exuded an ebullience that one typically senses only from established performers appearing in test-marketed star vehicles. Suffused with a regal pride that verged on but never became haughtiness, Persoff cut a commanding figure in Full Gallop while spouting the legendary Vogue editor's slew of pithy fashion statements. Despite the inherent weaknesses in Mark Hampton and Mary Louise Wilson's script, or perhaps because of them, Persoff and director Chip Walton complemented each other's strengths to offer up an engaging evening of style, whimsy and steely sophistication. And as Persoff moved about the stage with near-balletic flair, it became clear that her mother's belief that Diana lacked natural beauty was, on the whole, a monumentally superficial observation.

Best director

Chip Walton

Acutely aware that Praying for Rain's probing look at the root causes of youth violence would awaken post-Columbine feelings, Curious Theatre Company artistic director Chip Walton went ahead with plans to give Colorado native Robert Louis Vaughan's drama its world premiere in Denver. Though the play didn't scale the artistic heights to which it aspired, Walton's astute approach proved paramount. And the dynamic director masterfully ennobled the prickly observations that permeated last fall's Full Gallop, a smartly staged examination of the heyday of modern style and its precipitous decline.

Best director

Chip Walton

Acutely aware that Praying for Rain's probing look at the root causes of youth violence would awaken post-Columbine feelings, Curious Theatre Company artistic director Chip Walton went ahead with plans to give Colorado native Robert Louis Vaughan's drama its world premiere in Denver. Though the play didn't scale the artistic heights to which it aspired, Walton's astute approach proved paramount. And the dynamic director masterfully ennobled the prickly observations that permeated last fall's Full Gallop, a smartly staged examination of the heyday of modern style and its precipitous decline.

Best Denver film festival movie

Nic (Nothing), Poland

Audiences at last October's Denver International Film Festival were tremendously moved by the work of Polish director Dorota Kedzierzawska, particularly by Nic (Nothing), an intense, visually fluent drama about children trying to cope with the thoughtless cruelty of their elders. The festival honored Kedzierzawska with a special tribute, and she captivated her listeners with behind-the-camera stories about making films in Poland and working with the extraordinary children who inhabit her world.

Best Of Denver®

Best Of

Use of this website constitutes acceptance of our terms of use, our cookies policy, and our privacy policy Westword may earn a portion of sales from products & services purchased through links on our site from our affiliate partners. ©2024 Denver Westword, LLC. All rights reserved.
Do Not Sell or Share My Information
Powered By Foundation