Best place to get whupped -- and like it 2000 | Central Wrestling Organization matches at the Aztlan Theater | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
Navigation
They may not enjoy bleeding publicly as much as Edward Norton's character did in Fight Club, but the brave souls who enter into the Central Wrestling Organization matches at the Aztlan Theater still seem to derive a rush from delivering -- and receiving -- exhibition-style ass-kickings. Contenders with names like Extreme Machine, Jenocide and Psycho Sarge expertly drop-kick, jack up and put the smack down on their opponents, all to the delight of increasingly sizable crowds. Inspired by the success of the CWO events, concert promoter Dan Steinberg has recently begun incorporating more gore into the Aztlan calendar by implementing punk-rock fight nights and female oil-wrestling matches.

DJs Adict and Resonant (aka Mike Merriman and Nate Harvey) are hip-hop heads of the most serious kind -- and that's to the benefit of anyone who tunes in to their weekly radio show on Radio 1190. In addition to spinning the most up-and-coming underground hip-hop artists from the local and national scenes, the crew hosts artists in the studio for interview and instructional sessions as well as for live performances. Adict and Resonant are students -- of the University of Colorado at Boulder and of the history of rap and hip-hop. Judging by the success of their program, they're definitely making the grade in the latter.

DJs Adict and Resonant (aka Mike Merriman and Nate Harvey) are hip-hop heads of the most serious kind -- and that's to the benefit of anyone who tunes in to their weekly radio show on Radio 1190. In addition to spinning the most up-and-coming underground hip-hop artists from the local and national scenes, the crew hosts artists in the studio for interview and instructional sessions as well as for live performances. Adict and Resonant are students -- of the University of Colorado at Boulder and of the history of rap and hip-hop. Judging by the success of their program, they're definitely making the grade in the latter.

Host Kai Turner makes Sundays especially holy, with three hours of choice three-chord music from 7 to 10 p.m. each Sabbath. Turner has taste and does his homework, bringing both established blues stars and unsung heroes to local ears. And he's not afraid to spin a few things that stretch his show's handle by a few bars.
Host Kai Turner makes Sundays especially holy, with three hours of choice three-chord music from 7 to 10 p.m. each Sabbath. Turner has taste and does his homework, bringing both established blues stars and unsung heroes to local ears. And he's not afraid to spin a few things that stretch his show's handle by a few bars.
On her Gospel Chime, Madame Andrews provides a Sunday service like no other by playing the very best in soul-stirring music from 7 to 9 a.m. Andrews -- a holy crooner herself -- spins old and new heavenly tunes and gives the faithful a valid excuse for skipping church. Can we get a witness?
On her Gospel Chime, Madame Andrews provides a Sunday service like no other by playing the very best in soul-stirring music from 7 to 9 a.m. Andrews -- a holy crooner herself -- spins old and new heavenly tunes and gives the faithful a valid excuse for skipping church. Can we get a witness?
Each Monday night at 7, Boulder's big-hearted, volunteer-run station lets local acts command its airwaves. The resulting Cabaret is a rare hour of live radio and a chance for area players to reach an equally rare audience. A public-service program of the finest sort.

Each Monday night at 7, Boulder's big-hearted, volunteer-run station lets local acts command its airwaves. The resulting Cabaret is a rare hour of live radio and a chance for area players to reach an equally rare audience. A public-service program of the finest sort.

Esteemed trumpeter and local luminary Hugh Ragin is arguably the area's most accomplished jazz performer, if not its most active. The Fort Collins-based educator is a traditionalist, equally at home fast-boppin' as he is dabbling with neo-swing, rendering a soulful ballad, or flat-out improvising. Combining a freethinker's multi-layered sensibility with simple monster chops, Ragin has spanned collaborating with the Art Ensemble of Chicago and Sun Ra to composing electronic pieces for Pauline Oliveros's Deep Listening Band. A recent tribute to Philly horn-blower Lee Morgan plus the exquisite release of An Afternoon in Harlem made 1999 a memorable year for the ever-widening support of Raginomics.

Best Of Denver®

Best Of