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Best Celebration of Gayness

When Pigs Fly

When Pigs Fly was a collection of songs, puns, bits and skits performed by a collection of men in drag and directed by the estimable Nicholas Sugar. It was not only bring-down-the-house funny, but also a brave and poignant affirmation of the gay lifestyle and the joys of being out.

Best Use of Water in a Musical

Singin' in the Rain

For the famed title number in the Boulder Dinner Theatre production of Singin' in the Rain, director Ross Haley provided a kind of monster play pool for actor Brian Norber to stomp, sing and dance in. Front-row audience members were given slickers, and they and Norber enjoyed a mutual good time as the water soared and sprayed.

Best Overall Production Values

Pierre

Denver Center Theatre Company

Though the play itself was hard to embrace at times, a combination of Jacobean revenge tragedy and nineteenth-century melodrama that almost worked, Pierre's production values were impeccable. Vicki Smith's set design was elegant and expressive, and Pierre was worth attending just to watch the play of Don Darnutzer's gorgeous lighting against the scrim. Throw in Kevin Copenhaver and Andrew V. Yelusich's dazzling costumes, and the evening was a technical wonderment.

Best Illustration of the Primacy of Language

Behind the Broken Words

Broken Words is a collage of poetry and prose put together and performed by actors Anthony Zerbe and Roscoe Lee Browne. The result is a magnificent evening that includes the words of Seamus Heaney, Dylan Thomas, Derek Walcott and W. H. Auden, among others. Both actors are relaxed and consummate performers, and they allowed the language to take center stage. For a few short hours, the audience could forget the murky times we live in and believe in the transcendence of the human spirit.

Best Children's Theater

A Christmas Carol

Though it was warm and celebratory, this Christmas Carol also gave Dickens's melancholy depiction of poverty in Victorian England its due. The set was ingenious, the costumes sparkled, the child actors were appealing, and Randy Moore gave Scrooge a wistful edge. Take a child this year.

Best Evening of Comedy

New Work 2002

First came Patty Dobrowolski and Nancy Cranbourne in Mrs. Schwartz and Dober, a series of overlapping improvised monologues about the actresses' lives, including Cranbourne's bitter-comic re-enactment of her mother's increasing dementia and her own incomprehension. Then there was the truly mind-boggling Ed: The World Made Dress, written and performed by Michelle Spenser Ellsworth. The dress is a movable, functional, nonfunctional piece of sculpture worn by Spencer -- even though it must weigh a ton. It contains everything that matters to her, she says, including a paintball gun and a spice rack, and it can be transformed into a confessional booth, a movie screen, a uterus -- whatever Ellsworth can conceptualize and the audience imagine. This theater piece is significant, quirky, open to endless interpretation, and purely brilliant.

Best Place to Get Your Five-Minute Freak On

Freak Train

Freak Train is a wild ride through good, bad and ugly forms of personal expression. Rappers, poets, aspiring bards, monologists, puppeteers, karaoke kings and every other permutation of performer turn up to meet, greet and, in some cases, confound the Bug Theatre crowd, which is usually composed of sympathetic fellow stagehounds. It isn't high art - expect nudity, profanity, purposeful obscenity - and it can be a little sloppy; with only five minutes to showcase one's stuff, there's not a lot of time for polish. But for its energy, its openness and its willingness to turn the boards over to the amateur as well as the pro (at least on the last Monday of every month), we hope the Train keeps rollin'.

Best Magical Evening of Theater

Cloud Tectonics

A pregnant woman enters the house of a kindly trucker, and instantly time stops. The couple embarks on a night that's outside time and outside what we know as reality. Eventually, there is only the image of Celestina and Anibal holding each other in a glowing otherworldly bubble as rain and sirens pelt their insulated world. Director Chip Walton and actors Robert Ham and Bethany LaVoo beautifully realized Jose Rivera's script, deftly addressing the ideas of time and place. The technical team of set designer Daniel Guyette, tech director Braden Stroup and lighting designer William Temple Davis also created a spare and sensitive setting to buoy some of the more ethereal effects, such as a bed floating in the clouds. Matthew Morgan's choice of haunting classical guitar music completed the Cloud Tectonics experience.

Best Quietly Intelligent Evening of Theater

Talking Heads

Talking Heads was an exquisite production of two monologues by the wryly enigmatic Englishman Alan Bennett. The acting, by Chris Tabb and Ann Rickhoff, was pitch perfect, as was Richard Pegg's direction. Everything about the production felt right, from the brown leaves drifting into a pile beneath a bus-stop bench to the yellow-gray late-afternoon light that shone through a lonely woman's window. Everyman Theatre was forced to close this year. It will be much missed.

Best -- and Most Missed -- Theatrical Inspiration

Ernestine Georgianna

The Boulder Rep is still vivid in the minds of most Boulder theater aficionados. Founded by Frank and Ernestine Georgianna in 1974, the company mounted challenging, exquisitely staged contemporary plays and acted in a variety of around-town venues through the year 2000. Frank was a visionary theatrical force through all those years, both as actor and director, but it was Ernestine, executive producer, costume designer, and keenly incisive watcher and critic who kept things humming behind the scenes. Lovingly tended by Frank over the past two years, Ernestine died November 27 of complications from Alzheimer's disease.

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