#62: Joe Riche When Joe Riche hit Denver as a University of Denver MFA candidate in the late '90s, he was an inventive kid with big ideas, interested in building kinetic and robotic machine-dream sculptures and unwilling to to let the size of those creative visualizations slow him down. He went on ... More >>
The "Windmill Project" creator has a show at Artyard Contemporary Sculpture.
The Center for Visual Artís installation show is a force of cool in LoDo.
Who's in -- and out -- in my fantasy Decades.
Bev Rosen's passing is a loss to the local contemporary-art scene she helped spark.
The Kirkland Museum
Chuck Parson and Emilio Lobato follow different paths to formalist abstraction.
The Kirkland Museum quietly opens to the public.
Big changes are afoot at Foothills Art Center.
A beautiful show at Artyard explores the five phases of man.
Chuck Parson is the subject of a trio of solos in Fort Collins and Loveland.
Real and imagined depth is seen in displays at Robischon, Artyard and the White House.
Colorado Abstraction: 1975-1999 Arvada Center for the Arts and Humanities
Western Vernacular: Colorado Installation
Geometrical methods take shape at Guiry's and at Artyard.
Al Brooks and Maxine Muntís theater disbanded last month with little notice. But anyone who ever trod the boards of the Changing Scene gives it rave reviews.
Michael Paglia's brief sketches of what's happening in the Denver art scene.
Two new shows take fresh looks at the male and female form.
A portrait of the state's artistic past is deftly captured with Colorado Abstraction.
Denver's Museum of Contemporary Art rises above its administrative bungling with an excellent offering.
Once Gary Staab found his calling, the rest was pre-history.