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Subject: Cocteau Twins

  • Playlist

    September 10, 1998
  • Feedback

    September 17, 1998
  • South By So What

    March 30, 2000
  • The Beatdown

    November 20, 2003
  • Glasvegas

    Thursday, April 9, Bluebird Theater, 303-830-8497.

    April 9, 2009
  • Critic's Choice

    Czars

    June 27, 2002
  • Mini Reviews

    May 22, 2008
  • Torche Proves Metal Doesn't Have to Be Generic

    Drawing equally from the Melvins as it does from My Bloody Valentine, this Florida metal quartet sets itself apart.

    July 24, 2008
  • Ulrich Schnauss

    Tuesday, July 8, Fox Theatre, 303-443-3399; Wednesday, July 9, the Falcon, 303-781-0414.

    July 3, 2008
  • Good Housekeeping

    April 10, 2008
  • Eyes Caught Fire

    March 13, 2008
  • Eyes Caught Fire

    March 13, 2008
  • My Bloody Valentine's Kevin Shields talks Loveless and the influence of bands like Sonic Youth and Dinosaur Jr.

    April 23, 2009
  • Welcome

    Sirs
    Fat Cat

    May 10, 2007
  • Midlake

    After a tour with the Flaming Lips and loads of hype, the only thing this quintet is missing is confidence.

    March 8, 2007
  • Asobi Seksu

    Thursday, October 12, hi-dive, 720-570-4500.

    October 12, 2006
  • On the Attack

    Massive Attack is more dangerous than ever.

    April 27, 2006
  • Headlights

    Tuesday, April 11, Larimer Lounge, 303-291-1007.

    April 6, 2006
  • Westword Music Showcase 2005

    June 23, 2005
  • Various Artists

    Left of the Dial: Dispatches From the '80s Underground (Rhino)

    October 28, 2004
  • Perfect Landing

    A voyage of discovery leads to Han Kang.

    June 26, 2003
  • The Show(case) Must Go On!

    June 19, 2003
  • Hollywood Squares

    After taking a tour of both L.A. and South Park, Toddy Walters rediscovers her musical muse.

    November 28, 2002
  • Cocked and Loaded

    British punk pioneers the Buzzcocks invade America -- again.

    November 4, 1999
  • Leading the Attack

    England's Massive Attack is still making the Nineties more interesting.

    September 17, 1998
  • The Final Frontier

    Denver's Space Team Electra takes its music to new places.

    June 4, 1998
  • Playlist

    February 19, 1998
  • Mood Swingers

    The Czars make some of Denver's most beautiful noises.

    November 14, 1996
  • Feedback

    June 13, 1996
  • Lush Life

    May 9, 1996
  • HERE COMES THE FUZZ

    November 22, 1995
  • YULE'S GOLD

    THE GOOD, THE BAND AND THE UGLY CHRISTMAS ALBUMS FOR 1994.

    December 21, 1994
  • REVENGE OF THE GEEK

    LISA GERMANO TAKES ON HER DEMONS--AND WINS.

    November 9, 1994
  • TWINS SPEAK

    AFTER YEARS OF SILENCE, THE COCTEAU TWINS DISCOVER THAT THEY HAVE SOMETHING TO SAY.

    March 23, 1994
  • PLAYLIST

    February 2, 1994
  • Q&A with Tracyanne Campbell of Camera Obscura

    Early on in its career, Camera Obscura endured endless comparisons to revered fellow Glaswegians Belle & Sebastian. At this point, however, any comparison threatens to make the latter look bad: Among scholars of the heartache and growing pains of bookish, precocious youth, Stuart Murdoch's got nothing on Camera Obscura vocalist/guitarist Tracyanne Campbell. Her band's new album, My Maudlin Career, swathes Campbell's melancholy yet droll lyrics in the warm glow of Motown/Spector '60s pop and

    May 27, 2009
  • Mile High Music Festival Q&A: The Duke Spirit

    Steve GullickForming in London in 2003, the Duke Spirit has evolved a sound that brings together elements of garage rock, soul, the blues and swirly, noisy atmospheric rock. Rather than sounding like's trying to do too many things at once, act's music sounds rich with textures and emotional landscapes. A perfect mixture of the gritty and the sublime, the Duke Spirit employs an impressive palette of sounds and moods. Frontwoman Liela Moss cuts a commanding figure on stage with an image reminiscen

    July 17, 2009
  • Ode to the Marionette at the Meadowlark

    July 30, 2009
  • Over the weekend: The Siren Project at the Church

    ​The Siren Project Sunday, November 1, 2009 The Church Better Than: The Project has been in a long time. Having a show at the Church is a bit of a losing proposition not because it's not that a cool place to have a show -- although it's a beautiful building inside and out and the sound system is excellent, the regular crowd seems more into pre-recorded, comfort music. The DJs played a great mixture of songs familiar to anyone who was ever into darker music (Goth, post-punk, downtempo, darkwav

    November 2, 2009