Subject: Simon Zalkind

• Back Talk

  October 1, 1998

• Real to Real

  August 5, 1999

• Best solo sculpture show -- established artist

  June 29, 2000

• Best Political Show

  April 4, 2002

• Best New York Photo Show

  March 27, 2003

• Now Showing

  July 1, 2004

• Now Showing

  July 8, 2004

• Now Showing

  July 15, 2004

• Now Showing

  July 22, 2004

• Now Showing

  August 5, 2004

• Now Showing

  August 12, 2004

• Now Showing

  August 19, 2004

• Best Gallery Show -- Group

  March 24, 2005

• Abstract Express

  This year, abstraction is really on a roll.

  October 24, 2002

• Clay Feats and Printed Sheets

  Betty Woodman does it all for the Mizel Arts Center.

  February 3, 2000

• New Views

  Two contemporary Israeli artists fill the Singer Gallery.

  September 11, 2008

• Russian Rhapsody

  A celebration of a century of Russian Jewish art sparkles at the Mizel Center.

  January 10, 2002

• Mass Media

  A fabulous print show hangs at the Mizel’s Singer Gallery.

  April 10, 2008

• The Art of Politics

  DAM director Lewis Sharp shows that there's more to the job than knowing what to hang.

  April 27, 2000

• Androids Dream

  March 26, 2009

• Print Perfect

  A new exhibit at the Mizel Center features master prints.

  February 14, 2008

• Red, White and Dreamy

  September 13, 2007

• Fourteen Stations/Hey Yud Dalet

  Singer Gallery

  June 7, 2007

• Dark Genius

  April 26, 2007

• (New) Disasters of War

  Simon Zalkind presents a timely group show based on Goya’s work.

  February 22, 2007

• Susan Goldstein: Coming Home and Judy Anderson: Going Home

  The Singer Gallery scores again with this set of solos.

  December 14, 2006

• Sketches

  Brief reviews of current shows

  November 2, 2006

• Sketches

  Brief reviews of current shows

  October 12, 2006

• Prism Break

  Different approaches to abstraction are highlighted in two strong solos.

  September 28, 2006

• Sketches

  Brief reviews of current shows

  September 21, 2006

• Hippie Haven

  Four decades after working together in Boulder, Armory artists reunite in Denver.

  July 13, 2006

• Mind and Matter

  Art and physics at the Mizel Center, plus a salute to the late Barbara Sudler Hornby.

  February 16, 2006

• Unfolding Realities

  There's new realism at the Mizel Center, a new spot for the Mizel Museum, and news at the DAM.

  December 22, 2005

• Alternating Currents

  Hybrid styles fill the Mizel Center, and pure abstraction stars at Havu.

  October 13, 2005

• Sketches

  Brief reviews of current shows

  October 26, 2006

• Sketches

  Brief reviews of current shows

  October 19, 2006

• Sketches

  Brief reviews of current shows

  October 5, 2006

• Hear Them Roar

  The Mizel Center presents a groundbreaking history of feminist art.

  February 17, 2005

• Text Messaging

  Art and language mix it up at the Mizel Center and + Gallery.

  December 23, 2004

• Again and Again

  The Mizel Center hosts Colorado artists who work in series.

  June 24, 2004

• Political Cartoons

  African-American art is up at DU, while Mizel surveys the Jewish roots of the comics.

  February 12, 2004

• Serious Comic Books

  Once derided, comics now ride high in No Joke: The Spirit of American Comic Books.

  January 15, 2004

• New York, New York

  Denver's WTC connection emerges, and the Singer displays photos of the Big Apple.

  February 13, 2003

• Critical Incites

  Politics dominate shows at two local galleries, as well as in Denver's new courthouse.

  February 21, 2002

• A Scary Picture

  In a nightmarish time, these images of nightmares still work.

  October 25, 2001

• Forever Young

  Sixty-year-old rolling stone Bob Dylan still gathers no moss.

  June 28, 2001

• The New Math

  Geometry rules in the current attractions at the Singer Gallery.

  May 24, 2001

• Due South

  An architectural tragedy continues south of Denver, while the Singer salutes Central and South American art.

  March 22, 2001

• Holy Daze

  Combining the Bible with contemporary art gets mixed results at the Singer Gallery.

  October 5, 2000

• The New Yorkers

  March 19, 1998