Ridley Scottís portrait of a í70s dope CEO may not be epic, but itís still super-fly.
King is a faithful adaptation that drowns in ponderous metaphors.
All talk and little action, The Interpreter doesn't even make sense.
Scorsese's latest epic offers a slice-and-dice history of New York City.
Hopkins without Foster just doesn't cut it.
Woo's follow-up film runs on Cruise control.
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