Catherine Opie began shooting photographs at the height of the AIDS crisis. Her portraits of LGBTQ people were born from the urgency of the moment: She was watching her friends die. Over the years, her work has evolved from documentary portraiture and landscapes toward greater abstraction and a stud ... More >>
For decades, feminists have challenged the art world to open up galleries and museums to women artists. While nominal progress has been made, many major institutions still show a disproportionate amount of work by male artists. This disparity is one of many reasons critics Eleanor Heartney and Nancy ... More >>
Reed Weimer has been integral to the Navajo Street Arts District since its unofficial birth in the early '80s. He and his wife, Chandler Romeo, have worked side-by-side as both artists and landlords in this now-thriving art scene. Weimer -- whose paintings and prints hang in the Denver Art Museum, t ... More >>
Five dollars buys you a collage by Colorado artist Kathy Fisher. Fisher creates collages for Art-O-Mat, the company that turns old cigarette machines into art-dispensers -- one of which, since last month, has made its home at the VSA Colorado/Access Gallery on Santa Fe Drive. Fisher took some time t ... More >>
The playwrights intentions are good, but the results are piecemeal.
I'm Not There and the changing face of Bob Dylan on film.
Charles Burnett’s revered, rarely seen South Central-set film finally gets its theatrical due.
Blossoms provide the inspiration for contemporary work at Robischon and Sandy Carson.
A neo-feminist view of bad boys is the MCA's latest high-concept effort.
A new MCA show explores modern boyology.
The Mizel Center presents a groundbreaking history of feminist art.
Recent pieces by art star Judy Pfaff are on display at Robischon Gallery.
Photo magic is in the air this fall.
Gogol Bordello combines Gypsy folk traditions with a mosh-pit-fueled theater of anarchy. Bah sastipe!
The Alice Neel retrospective at the DAM is really something else.
Floral Font and other works by Charles Simonds