Best Religious-Art Show

Susan Goldstein's POLI VESTURE lent the Edge Gallery a creepy, haunted-house mood last spring -- not surprising, considering that Goldstein's photos were shot in an abandoned factory where religious articles were once produced. The title of the show was taken from the name of the factory, which was located in...

March 24, 2005

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "12017618",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17242653",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17261320",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17261321",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Susan Goldstein's POLI VESTURE lent the Edge Gallery a creepy, haunted-house mood last spring -- not surprising, considering that Goldstein's photos were shot in an abandoned factory where religious articles were once produced. The title of the show was taken from the name of the factory, which was located in Pittsburgh. Goldstein captured the broken crucifixes and headless saints under dim lights. In the context of the factory's wrecked infrastructure, with abandoned machinery glimpsed in the background, the photos had an ironic quality, but they also seemed strangely pious.

KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.