Edie, the world's sexiest drag queen, on being a bar clown and living the dream

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Westword: You started out as a ballet dancer, right? Christopher Kenny: Well, I started out at eight years old as a dancer in a dance school; me and my brother and sister, we all took dance classes. My sister started when she was three years old, and she was dancing for a year, and me and my brother were like, "that's easy, that's easy" -- we were eight and nine -- so my dad's like, 'oh yeah, you want to join?' and we're like, "yeah, sure, why not?" because there were boys dancing at that studio, and there wasn't any kind of a taboo or anything negative.

So we're like, "yeah, sure, whatever." And then I just became addicted. It was just tap and jazz in the beginning when I was eight, nine, ten, but then I started taking, like, gymnastics and ballroom. And the local ballet company saw me dancing in one of our final recitals when I was seventeen and asked me to come and take classes, and I said, no, I'm not really interested in ballet. But then they offered me a full scholarship and said they would put me in the company, and I said, "well, alrighty." But it was really, I just got addicted.

WW: So at what point during all this did you make the transition from ballet dancer to drag queen? CK: I was in the ballet for eleven years, and my heart pangs were still that I wanted to tap and jazz dance -- I wanted to be on Broadway, I wanted to be in musical theater, so I danced with four different companies across the country and moved to New York, but of course it doesn't just happen the moment you get there. And they were amazing gigs, but I was having a little bit of trouble at different points.

So a friend of mine came on Halloween from Chicago and said, "Hey, we're going to do drag on Halloween," so I agreed to it, and then the next thing I knew I was offered a job that night, hosting Monday nights at this little restaurant in the West Village. After fighting it for a while, I agreed to do it because the money was really good and it was only three hours of work. And then all of a sudden the performer kicked in, and people started showing lots of love, like, "Hey, we came back to see you," and I'm like, "what?"So I just started doing it - every week I'd have a new outfit and a new song, and it just started to grow and explode, and there was a point when it just got so big that I just had to decide, like, "are you going to do this?"

And it really turned out to be quite an amazing ride. My two biggest dreams came true because of Edie: I got a Broadway show because of Edie, and I got Circ du Soleil because of Edie. So it was a blessing in disguise -- a blessing in drag.
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Jef Otte
Contact: Jef Otte