Arts and Culture

For Denver artist Penney Bidwell, life is a carnival

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"I'm the sole recipient of the photos," Bidwell says. "And because they were in show business, maybe they had more photos than the average family." While she felt a lot of ambivalence about sharing her heritage, she also felt a responsibility to keep its memory going.

Book artist Alicia Bailey of Abecedarian Gallery inspired her to embrace her family's past. Remembers Bidwell: "She told me, this is your story, your narrative.' Also, there seems to be a renewed interest in carny life, and I have an authentic point of view I can share.

"I sat with it for years, with mixed feelings. My grandmother hated it all, and I felt that burden in a way. It's like I'm carrying her pain, but it's also an important part of Americana worthy of preserving. So I came up with a grand plan. I commissioned someone to make this album. I felt it was too important a task for just any old book."

As she spreads out the amazing photos that are her inheritance, the stories begin to speak out loud.

She reveals a clipping from the Sunday Baltimore Sun, circa 1934, that portrays her great-grandmother, Viola Crawn, getting her famous tattoos. Perhaps she'd been a dancing girl originally, who saw the tattoos as an opportunity. "It was the Depression," Bidwell explains. "She might have needed the money." "Viola hated her name, and apparently changed it throughout her life. One of her names was Little Butterfly, because of the ring of butterflies tattooed on her chest." "I don't know his whole history, but I think my great grandfather came here from Germany. This is the only real picture of him I have. He was a barker." "I found a woman online who had danced with my mom. She'd posted all these pictures, I guess from the `60s or `70s, and I contacted her and made copies of them. My mother told me that it was really hard work being a dancing girl. Even when they were on break, they had to sell tickets or stand out in front advertising the show."

Bidwell's mother was a ballet dancer who'd even danced with Balanchine before she ran off to discover the world with the carnival. It was a different world entirely...

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Susan Froyd started writing for Westword as the "Thrills" editor in 1992 and never quite left the fold. These days she still freelances for the paper in addition to walking her dogs, enjoying cheap ethnic food and reading voraciously. Sometimes she writes poetry.
Contact: Susan Froyd