Marathon Woman

Teresa Albor has a way of turning all expectations of the art world upside down by asking bold questions about what art is — and, in turn, what an artist is — and who it really serves. That’s part of the motive behind her 100 Paintings in 24 Hours performance, which is exactly what it says it is. The London-based multidisciplinary artist will be at book store/performance space beginning Counterpath at 11 a.m. today, making paintings that she’ll hang on the wall in a grid over a 24-hour period.

“It’s very liberating to work with abandon,” Albor says. The actual work is methodical, and I break it up by hanging batches of a painting in a neat grid pattern on the wall. It’s hard work, though, and there’s always a point in the performance where I wish I’d called it ‘50 Paintings in 24 Hours.’” And once it’s all over, Albor will give the paintings away, no questions asked. “By giving away the art, I maintain control of the process,” she notes. “I don’t hand it over to ‘the market,’ where the purchaser chooses to buy it. Instead, I choose to give it to whomever I want. Also, questions are raised about the ‘value’ of the work. Sometimes people insist on paying me, because they are uncomfortable with losing control. In one instance a man insisted, and then forced $10 on me. What did that say about how he ‘valued’ my labor or the piece of art he held in his hand?”

While Albor paints, Counterpath will simultaneously host a marathon reading of Gertrude Stein’s poetry book Tender Buttons — just reprinted in a centennial edition from City Lights — starting at 7 p.m. Counterpath is at 613 22nd Street; get more information at
Mon., April 28, 7 p.m., 2014

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Susan Froyd started writing for Westword as the "Thrills" editor in 1992 and never quite left the fold. These days she still freelances for the paper in addition to walking her dogs, enjoying cheap ethnic food and reading voraciously. Sometimes she writes poetry.
Contact: Susan Froyd