Chock-full of compelling works, including intricate, mandala-like paintings pieced together with butterfly wings and carefully arranged medicine cabinets, it bears an astonishing presence, as if Andres Serranos Piss Christ and Rauschenbergs Monogram had somehow merged and multiplied into a roomful of fetishistic objects. And the centerpiece of the show, Saint Sebastian, Exquisite Pain, cant be fully appreciated through words, or even from a photo: A ten-foot-tall glass case containing a steer pierced by arrows, tethered to a steel column and preserved in formaldehyde, its a work to be reckoned with. Its so compelling and tender at the same time, Payton says. It imparts a sense of elegance and repulsion intertwined. For museum audiences, it represents a chance to talk multi-generationally about issues of morality and the big questions: who we are, where we come from and what were doing here. Thanks for the memories, Cydney. This is one hell of a career-topper.
But dont take our word for it: The exhibit continues through next August at the MCA, 1485 Delgany Street. For information, log on to www.mcadenver.org or call 303-298-7554.
Tuesdays-Sundays. Starts: Oct. 7. Continues through Aug. 30, 2008