Ten great Japanese horror movies

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10. Tales from the Dead

Tales from the Dead is an anthology of four different stories, all of which are terrifying in their own right. Each story follows a character who commits some type of sin that carries through to their afterlife. Equal parts J-horror and Twilight Zone, it's one of the few horror movies that make you think about how you're living your life in the present. It's not a shocker film -- it's more the type to twist a knife in you very, very slowly.

9. Honogurai mizu no soko kara (Dark Water)

The story starts with Yoshimi winning a custody battle for his daughter and moving into a new home. Of course, since it's a horror movie, the house is haunted by some type of creepy, dripping liquid. Okay, the house is actually haunted by a ghost, a child who starts randomly appearing. We won't ruin it from there, but rest assured it's a shocker.

8. Kôrei (Séance)

Um, okay, bear with us with this story synopsis: A psychic housewife and her husband suddenly get a new houseguest when a kidnapped girl hides out in their home to escape an assailant. The girl dies and her ghost haunts them for a while. It sounds a bit silly, but the purpose of the story is similar to Tales of the Dead in that it poses more questions about how one lives their life than it does about what happens after.

7. Ju-On: The Grudge

Most people that would bother to spend the time reading this list already know the plot line and purpose of Ju-On, but it needs to be here since, combined with a few other movies, it helped usher in a new form of the Japanese horror to Americans. Sure, it made it so creepy kids were all the rage in America for a while, but it still serves as an excellent entry point to modern Japanese horror.

6. Jigoku

Basically Jigoku is an extended, horrifying driving instructional video. A young student flees a hit-and-run accident, get plagued by guilt and a doppelganger, then decides to head to a police station to confess with his wife, but she dies on the way. More deaths come on before his own and suddenly we're in Hell with him. The film didn't have a good budget, and it certainly shows, but like some of our own Roger Corman's films, a certain penchant for something great shines through enough in Jigoku to make it stand out from the rest.

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Thorin Klosowski
Contact: Thorin Klosowski