The Long Goodbye

When the curtain goes up tonight on Patrick Mueller and Control Group Productions, a dance company in flux, at BINDERY | space, it will be a poignant moment for a number of reasons: because Control Group, still in the search-and-negotiate stage of finding a new home and performance space, found the BINDERY as a safe haven for its spring performance; and because this marks the last hurrah for the BINDERY itself, which is being vacated by the LIDA Project for a new space of its own. Confusing? Not so much: Like any small company on the avant-garde edge, both Control Group and LIDA live daily with a constant lack of funding or even just a safe place to work.

At any rate, the fragility of all things should float in the back of your mind while viewing When We Were Beautiful & All That Came After, a site-specific dance-theater work on the ephemeral nature of the end-of-life experience, whether it be that of an indie theater or a grandmother, which is what Mueller says inspired the work. See When We Were Beautiful beginning at 8 p.m. tonight and continuing through Saturday at the same time at the BINDERY, 770 22nd Street. Tickets are $12 online or $15 at the door; go to
April 28-30, 8 p.m., 2011

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Susan Froyd started writing for Westword as the "Thrills" editor in 1992 and never quite left the fold. These days she still freelances for the paper in addition to walking her dogs, enjoying cheap ethnic food and reading voraciously. Sometimes she writes poetry.
Contact: Susan Froyd