@awolfeful

  • @awolfeful
    20 October, 2018

    @wyntermitchell This... is very different from your last place.

  • @awolfeful
    20 October, 2018

    @dave_schilling The REAL winner was teamwork.

  • @awolfeful
    20 October, 2018

    Bueller looks like the guy in a Vietnam War movie that’s all “Gee gosh sarge, I ain’t never been with a woman befor… https://t.co/yxmQlE9oQc

  • @awolfeful
    20 October, 2018

    A lot of fireworks going off in the neighborhood and at Dodgers stadium! #GoDodgers

  • @awolfeful
    20 October, 2018

    If the Dodgers make the World Series, would it be the first time that both managers were men of color? That had to… https://t.co/wF4SDBrXTV

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April Wolfe

April Wolfe

April Wolfe is the film critic for L.A. Weekly. Her criticism and features also appear in other Voice Media Group publications and in VMG's film partner the Village Voice. She's written for The Atlantic, Marie Claire, CityLab, Vice and many others, and she's the founder and a producer of One Axe Plays, a film and theater collective for women writers and directors. As a filmmaker, she's produced a feature film, written and directed a handful of shorts and worked in creative development as a top-level story analyst.

Popular Stories

Latest Stories

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  • To fall in love with Bradley Cooper's A Star Is Born is to embrace these paradoxes and, to quote a song Lady Gaga sings in the film, go "off the deep end" and submerge oneself "far from the shallow." My advice? Submit. Suspend yourself in...

  • 19 days ago | Film and TV

    To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.”

  • 27 days ago | Film and TV

    Ultimately a story about brotherhood, friendship and the insecurity of life in a violent place, the film injects a sweetness and innocence into the genre, mostly through one stellar performance by John C. Reilly

  • There's an old habit among actors reading a new script: Search for your character's name and peruse only that part. But if there were ever a vivid example made for why a performer should read the whole thing, it would be Dan Fogelman's drippy,...

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