As the Denver Center Theatre Company's principal designer, Bill Curley has fashioned an impressive string of stage settings over the years. There was the Venice Beach storefront set, complete with a flying plane inviting patrons to renew their subscriptions, that served as the backdrop for
The Comedy of Errors; the romantic cyclorama and cobblestone walks that enveloped
The Beauty Queen of Leenane; and the magical Parisian watering hole that housed
Picasso at the Lapin Agile. But Curley's greatest accomplishment occurred last season, when he served as
Tantalus designer Dionysis Fotopoulos's assistant while also mounting the incredible exhibit that accompanied the twelve-hour epic (the traveling show's curator publicly acknowledged Curley's contribution on the exhibit's opening night). Clearly, Curley is that rare creative individual -- the kind who quietly gets it done.