Best Bluegrass Recording 2001 | Open RoadOpen Road | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
The self-titled debut from Open Road is a bone-chilling masterpiece of Kentucky-grown sound. Leader Bradford Lee Folk sports a harrowing voice, and he and his mates possess a commanding, retro-respectful grasp of their adopted music. From giddy stompers to tear-jerking laments, this record delivers all of the rustic goods.
The revolution will not televised; instead, it will be in multimedia, and it's already getting started at Cafe Nuba in Five Points. Located at the Gemini Tea Emporium and run by Denver's Pan-African Arts Society, the cafe hosts monthly sets of hip-hop poetry, performance art and political prose, monthly screenings of black independent films and shorts, free HIV testing, voter-registration drives and book giveaways.

The oldest community-theater group in the state, the Evergreen Players celebrated their fiftieth anniversary last year by winning the regional American Association of Community Theatres competition in Cheyenne, Wyoming. The group's production of All in the Timing qualified the actors for the national AACT competition, which takes place this June in Harrisburg, Pennsylvania. Back on their home turf, the players are presenting La Cage Aux Folles at Evergreen's Centre Stage Theater through April 8. Give them a hand.

Teachers at Denver's East High School remember Don Cheadle (class of 1982) as an able student and a dedicated student actor; his turn as the Artful Dodger in Oliver is still cherished there. Since then, this talented character actor has stolen a show from Denzel Washington in Devil in a Blue Dress, broken hearts in Boogie Nights and, last year, turned a police stakeout (with fellow cop Luis Guzmán) in Traffic into a miniature comic masterpiece. Fortunately, fame hasn't caused Cheadle to forget his humble beginnings: Teachers and staff at East say the actor returns to say hello whenever he's in Denver.

Best Alternative to the Screaming Guitar Wank

Neil Haverstick

Following his own muse and intuition, local six-stringer Neil Haverstick coined the term "micro-noodling" a few years ago in reference to his disciplined knack for coaxing more than twelve notes from a musical scale. Using custom-built instruments (including an electrified ax capable of producing 34 tones per octave), Haverstick brought his sixth and best annual Microstock Festival to St. Paul's Church last fall with koto player Yoko Hiraoka, waterphonist John Starrett and customized keyboard tickler Chris Mohr. Darkly exotic "space music" might best describe the evening's display of electronic meditation -- an aesthetic that Haverstick continually expands upon with his obvious love for exotic Indian and Arabic sounds. (See for samples.) Sometimes fretless, always seamless, his soft-spoken tribute to outer space makes infinity seem damned near containable.

Before it was disbanded, the Denver Center Theatre Company's Playwrights Unit gave local playwrights a chance not only to see their works receive a major production, but also to collect some actual cash. The group rewarded us with an embarrassment of artistic riches, including such plays as Molly Newman's Quilters (which is still performed across the country), Terry Dodd's Goodnight, Texas, and Frank X. Hogan's Ringers. A lack of funding dropped the curtain on the program over a decade ago, but thanks to a $100,000 grant from the Pew Charitable Trust, it's now been re-established. Action!

Alex Lemski, the driving force behind Denver's Creative Music Works, is on a mission to keep the spirit of jazz alive, and his fanatical promotion of concerts featuring acts that share his goal is doing just that. His efforts to bring underground music into the light help make Denver a more interesting place.
When the proprietors of perennial punk establishment the Raven got tired of their old digs on Welton street, they simply packed up and moved down the road to a space they christened The Cat. The new club is not an entirely different animal, however: The adornment is still minimal, the crowds are still a little unruly, and the calendar still regularly includes an impressive number of all-ages shows -- which could go by the wayside, if the City of Denver has its way. If not, young and old alike can continue to enjoy the best -- and loudest -- in local and touring punk and indie-rock acts. Hello, kitty.
Matt Need and his friendly staff do what few proprietors of Denver music rooms do: They treat local bands with respect. Beneath the Gothic Theatre's large stage lies a greenroom with furniture you're not afraid to sit on, a shower you're not afraid to step into, and bathrooms with toilet paper. Better still, the staff equips bands with free beer (even the good stuff), hot tea and snacks -- perks that should delight the average hometown player.
Peace, Love, Unity and Respect. The raver's clever acronym seemed almost like an actual religion during the second annual Colorado Dance Music Awards, where club kids, candy ravers, promoters, performers and DJs put down their pacifiers to give each other big fat pats on the back. The event, organized by local rave advocate Jessica Hydle, was a glamorous, giddy affair at which winners in numerous categories took the stage to accept awards bestowed on them by peers in the dance-music community. After the ceremony? To the dance floor!

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