Since 1941 (the year Citizen Kane was released), the University of Colorado's International Film Series has been a major cultural resource. The inventive CU programmers continue apace in their efforts to bring in exotic and important work. Recently, IFS's "Cult Cinema" series featured screenings of Alferd Packer: The Musical, The American Astronaut and Waking Life; a seven-film tribute to the late Rainer Werner Fassbinder included The Bitter Tears of Petra Von Kant, The Merchant of Four Seasons and Effi Briest, among others. A few upcoming IFS films: To Be and to Have, a lovely French tribute to the teaching profession; Crumb, the too-little-seen biopic about underground cartoonist Robert Crumb, and That Obscure Object of Desire, the surreal classic by Luis Buuel.
Francis Ford Coppola's daughter, Sofia (the Oscar-winning writer/director of Lost in Translation), gets most of the attention these days, but the man who created the Godfather trilogy, Apocalypse Now and The Conversation was as thoughtful, congenial and engaging as any Denver International Film Festival honoree in recent memory when he appeared briefly at DIFF in October. The bearded bear who helped transform American movies in the 1970s was courtly and unstintingly informative with reporters, confessing to one, "There's no place for me anymore in the film industry." He gave himself wholeheartedly to festival-goers as he discussed everything from the wine business to the re-release of his strange Las Vegas musical, One From the Heart (1982). For newly elected Denver mayor John Hickenlooper, Coppola was a pure thrill: "My best day in office so far," Hick cracked at the buffet table.
Elvis Cinemas Tiffany Plaza 6
Sometimes a movie is just not worth $8.50. Sometimes it's not even worth the $3.50 to pay-per-view it. But sometimes, the guilty pleasure of, say, a Legally Blonde 2, is worth fifty cents. Every Tuesday the Tiffany Plaza 6 drops its already cheap $1.50 rate to a mere half-dollar -- all day. Sure, some of the movies have already gone to video, but what's the point of watching a larger-than-life Reese on the small screen -- and paying more?
That the metro area's Spanish-speaking Hispanic population continues to grow didn't escape local entrepreneur, state school-board member, politico and all-around rich guy Jared Polis. Seeing an untapped market, the man with the means opened Cinema Latino in the Aurora Plaza mall's former dollar theater. The eight-screen movie house features new Hollywood releases that are dubbed or subtitled in Spanish, and movie-goers munch on Mexican and Central American-style treats such as palomitas con salsa (popcorn with hot sauce). Polis hopes to eventually spread his vision to thirty or forty other cities. Que bueno!

Best Feature Shot (Partially) in Colorado

Miracle

The early sequences of Gavin O'Connor's deft, exciting re-creation of a great moment in American sports history -- the U.S. Olympic Hockey Team's 1980 victory over the seemingly invincible Soviets -- are set at the U.S. Olympic Training Center in Colorado Springs and in the rickety old Broadmoor Arena, where the blood feud between the University of Denver and Colorado College is so often renewed. In the film, we revisit the Springs as the driven U.S. coach Herb Brooks (authentically played by Kurt Russell) selects his team of lovable underdogs and tells the Olympic powers-that-be that their antique ideas about hockey (and losing) stink on ice. The film then moves on to Minnesota, Norway and Lake Placid, but Colorado gets first crack at the implacable Brooks.
Last fall, the Cinderella Twin, one of the city's last two drive-in theaters, was supposed to bite the dust to make way for new development. But the plans were put on hold, so there's at least one more season in the sun. The double-screen drive-in is already open on weekend evenings, and it plans to have a full schedule beginning later this spring. How appropriate that one of its first offerings of the year is The Lord of the Rings: The Return of the King.
There's no getting around it: Babies kill the movie experience. Rather than become the pariah in the last row, most parents of newborns opt to simply give up on going out to the movies. But now they don't have to: Moms and dads can take their babies and wee ones to Madstone Theaters on Tuesday mornings, where the grownups can choose from up to six films for their viewing pleasure. And if the kid cries, so what? So will everyone else's, at some point. Stinky diaper? Relax -- you're among friends. In addition to other parent-friendly amenities, a free, pre-show activity hosted by Gymboree will wear toddlers out before the film begins. Sweet screens.
No question about it: Flicks are for kids on Saturdays at Starz. The usual Saturday-matinee fare is absolutely abysmal, but at Starz the shows are hand-picked for children in varying age groups. Naturally, the movies fall on the indie side of the spectrum, but there are also kid-lit-to-screen titles, as well as the occasional big-screen nod, such as a Spanish-language screening of Ice Age.
Most adults instinctively know that when the kids come along, they'll spend the next eighteen years reclaiming their cultural lives, inch by wretched inch. Happily, the Denver Center Theatre Company found a way to slow parents' march of Sisyphus: While adults take in a matinee, Familes@Play entertains their kids with a mixture of drama classes and activities. There's life after children after all.
You have to hand it to creative guide Douglas Love and the Walden Family Playhouse. The exclusive Colorado Mills children's theater, which debuted just over a year ago, really does what it set out to do: provide the same kind of experience for children that the Denver Center Theatre Company provides for grownups. Walden dishes up world-class theater with top-notch costumes and set design in a fine-looking venue, which in turn raises general interest in the theater among its young constituents. That alone is evidence of a job well done. Shine on.

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