Metro State's Center for the Visual Arts hosted a show last month that highlighted some of the most influential pottery of the last century. The traveling exhibit, Picasso: 25 Years of Edition Ceramics From the Edward and Ann Weston Collection, included more than sixty pieces of Picasso's ceramics that were done with Georges and Suzanne Ramié at their Madoura studio in Vallauris, on the southern coast of France. Picasso began to work with clay in 1947, and he continued until 1972, the year before he died. Just like everything else Picasso did, his pots, as seen here, were gorgeous.
BECAUSE THE EARTH IS 1/3 DIRT, which just closed at the University of Colorado Art Museum on the Boulder campus, featured an international array of contemporary ceramic artists. Participants were invited by a committee made up of CUAM director Lisa Tamiris Becker and three members of CU's art faculty: Scott Chamberlin, Kim Dickey and Jeanne Quinn. Just about every artist they selected is on the front lines of the medium, but perhaps none more so than Walter McConnell, who uses wet clay for his radical sculptures. Leopold Foulem, Lawson Oyekan and Annabeth Rosen were also responsible for making this show an unlikely blockbuster.
The retrospective Zamantakis: From the Earth, which was ensconced during the holidays at the Victoria H. Myhren Gallery on the campus of the University of Denver, was a major retrospective examining the fifty-year-plus career of one of the most important potters in the state. DU was an appropriate venue for this show because Mark Zamantakis is a graduate of the school and studied there with his mentor, the late John Billmyer. Zamantakis, whose father was born in Crete, combines the influence of ancient Hellenic pottery with the techniques and forms inspired by Asian ceramics. The result is a very distinctive, signature look.
Youngsters are the real stars at PlatteForum, even though some of the biggest names in the local art world are artists in residence. Sculptors, painters, dancers and other representatives of the arts work with local classrooms to develop collaborative cultural projects, and when they're finished, PlatteForum gives the kids -- and mentoring adults -- a space to display their achievements.

In a town where most of the street festivals have become indistinguishable, the Larimer Arts Association came up with something completely different last year: In the great Renaissance tradition, the group invited artists of all levels to decorate the sidewalk with chalk art. Over two days, the corridor became a canvas of colors, sounds and food. La Piazza dell'Arte will return again this year on June 19 and 20, with a bigger, better format that includes an opportunity for artists to reproduce and preserve their street fare for a gallery show, since the actual pavement chalk drawings are washed away at the end of the weekend. Step right up.
With at least twenty music festivals already on the roster, Colorado didn't really need another. But the founders of Blues From the Top believed wholeheartedly that Grand County needed a dose of the blues, so last year they debuted a two-day extravaganza at SolVista Golf and Ski Ranch, just two miles outside of Granby. The lineup was solid, the setting stunning. It was a well-intentioned attempt to bring nationally known acts to somewhere in the county other than Winter Park. These were blues you could use.
The quaint town of Lyons, on the St. Vrain River, has numerous low-key attractions, including Oskar Blues, a first-rate blues-and-brews club that's even received shout-outs from Rolling Stone. Live acts range from members of the Colorado Blues Society to Pinetop Perkins, all augmented nicely by a Cajun-flavored menu and house-brewed beers. Of course, making the eighty-mile round trip to the Boulder bedroom community and back is a little daunting. Instead, gather up to sixteen friends and charter the wildly painted Blues Bus (which could double as Ken Kesey's famous ride of yore) and head up the hill for a night of revelry.
Last summer, the Central City Opera featured L'Italiana en Algeri, Gabriel's Daughter -- an original production based on the life of the first female freed slave in gold rush Colorado -- and an evening that combined the famed and familiar I Pagliacci and the rarely performed Goyescas. L'Italiana was laugh-out-loud funny, Gabriel's Daughter poignant, and all three evenings featured magnificent music. This summer, Central City will present The Tales of Hoffman, The Student Prince and The Juggler of Notre Dame. You don't need to be an opera aficionado to enjoy sitting in this gem of a theater while some of the finest voices in the country flow around you -- unmiked and undistorted. But, please, leave the cell phones and crinkly candy wrappers at home.
Arvada is still recovering from the cultural jolt thrown by brothers Adam, Matthew and Jeremy DeGraff, who opened the D Note in sleepy Old Town last year. The Brothers D combined their aesthetic and business senses to produce one of the most eclectic and appealing rooms in town -- part art gallery, part music venue, part yoga studio and, sometimes, church. Open seven nights a week for music, including bluegrass jams and "wine tastings" hosted by local players, the Note also serves cheap sandwiches, salads and soups beginning at 11 a.m. On Sundays, the after-worship crowd eats brunch beneath the wildly realized murals, paintings and sculptures that line the walls of the large room. Denver clubs could take a cue from the D Note's creative calendar and vision: The place is worth the drive every time.
Next time you wander into the Thin Man on a Monday night, head for the couches at the back of the narrow bar, where you'll find the chatty chicks of "Stitch and Bitch" knitting away. An informal gathering that attracts anywhere from four to thirty gals each week, these friendly ladies are more than willing to teach beginners basic stitches while talking about their latest yarn creations, everything from a dog sweater to a purse. So grab your knitting needles and a pint and get ready to gab.

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