So few people went to see The Nature of Things, the official show connected with last summer's Biennial of the Americas, that the admission fee was waived for the final days of its run. That was a smart move, because the show was too good to miss. It was put together by a young, hot-shot curator from Mexico, Paola Santoscoy, who was fresh out of grad school at the California College of Art. In the few short months she had to throw the exhibit together, she invited artists from all over the United States and Latin America to participate, and got an impressive roster. In fact, if there was one shortcoming to The Nature of Things, it was the fact that only two Colorado artists made the cut: Clark Richert and Joseph Shaeffer. Since the Biennial had turned its back on locals in general, Denverites repaid that snub by turning their back on the Biennial.

Into the world of safe, light and forgettable little musicals blew Tupperware-selling phenom Dixie Longate, a booze- and drug-addled, trash-talking, child-neglecting ex-con from Alabama, to stage a real Tupperware party in Dixie's Tupperware Party. You could buy pretty much everything she described on the stage, including collapsible bowls and ribbed mugs — that is, if you could stop laughing long enough. Kris Anderson, an actor who realized he could actually make a living selling Tupperware, came up with the sweet, dirty-minded and hilarious script, and he performed the hell out of it.

DJ Bedz has built quite a name for himself over the years, first as a ubiquitous club DJ and then as the official DJ of the Denver Nuggets, host of White Shadow Radio and on-air mixer on Hot 107. But the most admirable part of his legacy is his support of Safehouse Denver, the nonprofit dedicated to sheltering women and children from domestic violence: Bedz routinely donates 100 percent of the proceeds from the mixtapes he sells at Independent Records to Safehouse.

Red Rocks Amphitheatre

We in Denver are blessed to have one of the world's greatest music venues just west of town — but only a handful of local musicians will ever get the opportunity to play the hallowed Red Rocks Amphitheater. And without the highly successful Film on the Rocks summer movie series, far fewer locals would ever grace that incredible stage. The series, which has found its stride in recent years and now sells out most of its screenings, hand-picks promising acts to play before each movie. The gig may not be an industry showcase or an opportunity to impress an idol, but the thrill of looking up at the crowd, seeing the rock cliffs on either side and knowing you're standing in the shadows of as impressive a list of legendary rock-and-roll performers as has ever existed, is a thrill not to be taken lightly.

Buntport Theater Company
Courtesy Buntport Theater Facebook page

The members of the decade-old Buntport Theater Company arrive at all of their final productions through group work and discussion, play and improvisation, and Jugged Rabbit Stew was no exception. But this original play surpassed even their usual surreal, daring and crazily imaginative standards. A wicked magician's bunny that steals everything he can lay his paws on, including human limbs and a woman he's infatuated with? A love affair between said woman and a disembodied arm? Completely nutty, ridiculously funny — and also, in its odd way, thoughtful and evocative.

Denver Art Museum
Courtesy Denver Art Museum

It took the Denver Art Museum over a century to finally decide that photography deserved its own department. The first step was to hire a curator: Eric Paddock, who used to fill the same role at the Colorado Historical Society. To create the new department (previously, photography had been split between several), Paddock looted the museum's storerooms for treasures, many of which hadn't been seen for many years, if ever. The resulting show, Exposure: Photos From the Vault, featured many of the pillars of photo history, including Eadweard Muybridge, Ansel Adams, Alexander Rodchenko and Garry Winogrand, as well as some of Colorado's top photographers, such as Kevin O'Connell, Ruth Thorne-Thomsen, Ronald Wohlauer, Robert Adams, Laura Gilpin, George Woodman and Wes Kennedy. Paddock's work on this first effort for his department indicates that there will be many more great things coming; we can't wait to see what develops.

Camera Obscura Gallery

Denver's wizard with PhotoShop — as well as makeup and costuming — is John Bonath, whose solo Blurring the Edges filled the funky and charming Camera Obscura Gallery to its rafters with magic-realist photos of people in oddball settings. To produce his images, Bonath sets up scenes using actual materials, then makes up his models and dresses — or undresses — them before taking multiple shots and combining them in a computer, creating montages. Sometimes he even goes in and paints the images after they've been printed. Though not a retrospective, the show included several bodies of work by Bonath that spanned the last few decades, providing some nostalgic history for a gallery that's been the city's photo specialist since the 1970s but will soon be closing for good.

Z Art Dept.

Randy Roberts is a bohemian's bohemian, so it's surprising to some that he's also clearly an art connoisseur. A couple of years ago, he added Z Art Department to his mini-modernist shopping center on Speer Boulevard that also includes Zeitgeist and Z Modern, shops devoted to vintage and contemporary design, respectively. As can be inferred by its name, Z Art Department sells art — but the name doesn't hint at the broad range of Colorado artists you can find here. The gallery has devoted solos to Al Wynne, Herbert Bayer, Dale Chisman, Edward Marecak, Roland Detre, Winter Prather and others. And while shows at places like the Kirkland feature works that have already been snatched up by somebody else, at Z Art Department you can still snag some masterpieces for yourself.

Best Place to Eat and Hang Out With Rock Stars

Illegal Pete's

The Illegal Pete's outlet on the 16th Street Mall has long been Denver's unofficial punk-rock burrito epicenter, but this year the restaurant made it official with two outreach efforts: The Starving Artists Program feeds out-of-town bands here on tour, and the Eat and Greets sponsored by Suburban Home are a direct byproduct of that program. After all, if visiting bands are going to stop by Illegal Pete's for some free food anyway, it only makes sense to invite fans down to meet the musicians and listen to a quick acoustic set or two. It's a win/win/win deal: The act gets fed, the fans get a show, and Illegal Pete's gets some extra business.

Best Place to See and Buy the Art of Colorado's Future

Even Younger Than Jesus

Robischon Gallery

The evocative — and provocative — title of Even Younger Than Jesus, presented over the holidays at Robischon Gallery, Denver's flagship art venue, referred to the fact that Christ was said to have been crucified at the age of 33, so everyone featured in this wide-ranging group show was that age or younger. While artists from around the country were featured, many were from right here in Colorado — with a significant number of those relatively recent graduates of the Rocky Mountain College of Art and Design. Even Younger Than Jesus included such artists as William Lamson, Sterling Crispin, Noah Manos, Christine Buchsbaum, Letha Wilson, Zach Burk, Derrick Velasquez, Brandon Bultman and, last but hardly least, Ian Fisher. The graying art scene is always on the lookout for fresh young talent, and this show was packed with it.

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