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Courtesy Mutiny Information Cafe

The Mutiny Words Night free-for-all, hosted by comedian and devil's advocate Onus Spears on Thursday nights, invites poets, musicians, comedians, storytellers and raving lunatics to talk, read or sing about what concerns them — or simply dispense their activist screed. Mindless haters, Spears warns, are not tolerated, so take your anger elsewhere unless it's directed into a cogent, arguable point of view that's less about finger-pointing and more about cultivating change. Otherwise, there's no censorship (or alcohol or drugs) at this all-ages forum, which begs participants to "SAY IT," whether their causes be personal or communal: sexuality, war, guns, bicyclists, pot-litics, local and world issues — it's all fair game. Talk may be cheap, but Mutiny Words Night is free. Rant on.

Most Coloradans know of the hard-drinking, straight-talking Texas reporter Molly Ivins, who died much too soon — just when we needed her most, some would argue — at the age of 62. Ivins helped break the gender barrier in journalism, and she did it as a dame, a broad, a liberal in a deep-red state, a fiery populist. She loved skewering members of the Texas Legislature, and they — as she freely admitted — gave her an awful lot to work with. When Zeik Saidman, a Denver friend of Ivins's, heard of this one-woman play, he decided it had to show here, and LIDA Project's Brian Freeland offered his space and his services as director. In a match made in heaven, he persuaded Rhonda Brown to take on the role. And the tough, warm-spirited actress did indeed kick ass.

Devon Dikeou's private Dikeou Collection gallery in a 16th Street high-rise is worth seeking out, but it's hard to find unless you know what you're looking for. Far more visible is its adjunct pop-up gallery in the Golden Triangle, which hosts openings and other special events, highlighting new additions to the collection in a more accessible spot. Think of this as a hands-on billboard for the collection itself, a spot in the heart of the museum district where the hustle and bustle brings an audience right to its door. Pop-up openings have introduced such works as Nils Folke Anderson's sculptural Styrofoam installation and, currently, the doctored photographs of Dutch artist Sebastiaan Bremer; during Denver Arts Week, the debut of Dikeou's extensive vinyl record collection provided some of the entertainment. The pop-up concept suggests an element of surprise — which means the impermanent Dikeou space is doing a surprising number of things right.

MCA Denver

We loved the Denver Art Museum gift shop's nod to local designers when it displayed and sold Denver-made styles during the Yves Saint Laurent retrospective's run. But even more enduring is MCA Denver's shop-local-themed Design Within Denver series, which brings in changing trunk shows on selected Friday nights, giving local artists, designers, crafters and jewelry makers a chance to shine in a museum setting. Like the shop's own collection, Design Within Denver is carefully curated to appeal to the MCA's modern-art-loving constituents, mainly by presenting the shop's regular vendors and merchandise — from whimsical miniature diorama lockets by Becky's Buttons to the graphic hand-letterpressed stationery by Rick Griffith's Matter Studio — in a sharper focus. A boon during traditional gift-shopping seasons, the series benefits both eclectic and quirky artists and buyers looking for something different.

Whether you're hanging out before a movie, between film-festival showings or after an unrelated event, Sie FilmCenter always has the makings of a great party. The FilmCenter makes good use of its indoor and outdoor space, hosting shindigs on the rooftop, cocktail hours and yoga classes in Henderson's Lounge, concerts on the front steps, and trivia nights in the lobby. More than just a theater, the Sie has become the place to hang out, mingle, celebrate birthdays and, of course, catch some of the best movies to come through Denver.

Scott LaBarbera has a very diverse booking policy at the Oriental Theater, and he and his team have brought in some impressive acts, including Crime and the City Solution, Dead Prez and Woven Hand. Part of what makes these shows such a rich experience is the projection screen that occupies the entire back wall. With it, even local bands on a small budget can turn an otherwise standard show into a multimedia extravaganza. Using the entire back wall makes for an immersive environment than can truly transport an audience.

Among the amazing coups by the Denver Art Museum last year was landing Yves Saint Laurent: the Retrospective; in fact, it was the traveling blockbuster's only stop in this country. Curator Florence Müller, with backing from the late couturier's partner, Pierre Bergé, surveyed Saint Laurent's career, with the dramatic exhibition design by Nathalie Criniére setting a new standard around here. Some of the most remarkable pieces were those that referred to paintings, like the luxurious jackets based on van Gogh's work and the stylish cocktail dress that took on a Mondrian. Saint Laurent didn't do these kinds of things on a whim; he and Bergé were art connoisseurs of the highest order. And this show may represent a new trend at the DAM, which is opening a new textile gallery this summer.

"Mustang," a 32-foot-tall blue fiberglass stallion with glowing orangey-red eyes, has truly captured the public's attention. The piece conflates the Wild West with lowrider culture and is the greatest accomplishment of its creator, the late Luis Jiménez. When it was unveiled in early 2008, fifteen years behind schedule and two years after a chunk of the then-work-in-progress had fallen on Jiménez and killed him, it generated cheers from some and jeers from many more. This past February, the sculpture turned five years old, which meant the city could start considering any official requests that it be moved — or dumped altogether. But the issue turned out to be a non-starter, because "Mustang" has only gained popularity over the years. Even some of its most vehement detractors have come around. Hold your horses!

Open Air debuted on Halloween 2011 at the frequency formerly occupied by the legendary KCFR, and the Colorado Public Radio-affiliated station has since established itself as one of the most free-spirited stations around. Its popularity is due not only to its programming, but also to its on-air personalities. The best among them is Alisha Sweeney, whose morning show features a well-curated mix of alternative, indie and classic artists, from Feist and New Order to David Bowie and Brian Eno, that would appeal to anyone. And her banter between songs is just as charming as her selections.

Long before he was a reality-TV star, Duane Chapman was a bounty hunter based in Denver — and he even won an early Best of Denver award, for his work on the mean streets of this city. Since then, of course, he's gone on to much bigger and better things. And although he and A&E parted ways over his successful Dog the Bounty Hunter series last year, he and his wife, Beth, have been staying plenty busy. This March, they guest-starred — as themselves — on Hawaii Five-0. And they have a new series starting, with son Leland, in April; Dog will be helping struggling bail bondsman companies across the country — and, as always, taking down dangerous criminals. This Dog still has plenty of bite.

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