Looting the history of eighteenth- and nineteenth-century genre painting that depicts Western expansion in America, then crossing that reference with one that relates to Ed Ruscha's post-pop taste for text and irony, was the formula for the exhibit Shawn Huckins: The American __tier, presented last spring at Goodwin Fine Art. For this dazzling show, Denver painter Huckins created a body of very accomplished and witty conceptual-realist paintings, expertly copying famous historic paintings — like those by George Caleb Bingham — and defacing them, so to speak, with words spelled out in block letters running across the pictures. The words conveyed messages that were sourced from found tweets and text messages. Interestingly, Huckins masked off the parts of the image in which letters appeared before he started to paint, even though it appears as though the messages were tacked on afterward. The dialogue between the images and the words contrasts the quieter times of the past with the hectic pace of life today, but for Huckins, they also equate the way that people at that time, as now, faced an uncharted future.