Every now and then, while watching a swift new play about clever young people or a piece that strains to be socially and politically relevant, we long to hear the strong, sure and deeply musical voice of August Wilson, one of America's foremost playwrights, chronicler of the black experience, and creator of an extraordinary community of black folks in his ten-part Pittsburgh cycle. Fences, sixth in the cycle, tells the story of Troy, a flawed and difficult man newly released from prison and struggling to care for his family. It's coming in April 2018 to the Lone Tree Arts Center, a venue whose productions, though few and far between, are always professional and meticulous.