Via

Daralee Fallin is working with drum machines and synths with effects — familiar elements of electronic music — across this four-song release. From the jump, though, there's an undeniably organic feel to the music and a warmth that doesn't just cradle the listener in a sense of comfort and well-being;...

By Tom Murphy

September 9, 2010

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "12017618",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17242653",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17261320",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18838239",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17261321",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Daralee Fallin is working with drum machines and synths with effects — familiar elements of electronic music — across this four-song release. From the jump, though, there's an undeniably organic feel to the music and a warmth that doesn't just cradle the listener in a sense of comfort and well-being; it conjures images of suggestive horizons shrouded in a morning fog just before the full force of sunlight burns it away. The third track, with its '80s electro percussion swimming amid a flow of drones and melodic swells, sounds like lonely dance music filled with an unresolved yearning. The final song is blissed-out, neo-tribal sonics like something you might — and should — hear in a Ridley Scott film. On this release, Via excels at evoking a sense of mystery and transcendence with a subtle and gentle grace.

Become A Member

BEFORE YOU GO...
Can you help us continue to share our stories? Since the beginning, Westword has been defined as the free, independent voice of Denver — and we'd like to keep it that way. Our members allow us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls.

Tom Murphy is a writer, visual artist and musician from Aurora, Colorado. He was a prolific music writer for Westword and a documenter of the Denver music scene.

Follow:

Twitter: @simianthinker