Both cuts (posted after the jump) also show the group isn't afraid to grow, as each tune incorporate and amplify elements -- Bauhaus-esque ambience on both, a very Big Black feeling and a few strains of synthesizer on "Guitari 2600" -- either unheard or barely present on earlier material. It doesn't hurt that the songwriting continues to progress, as do the already impressive guitar chops of Adam Rojo and the overall cohesiveness of the band. If this is a preview of a full-length -- and our fingers are crossed -- we can't wait to hear the rest of the songs. In the meantime, we'll be adding these two to our heavy rotation playlists, stat.