CRITIC'S CHOICE

George Clinton, Thursday and Friday, December 7 and 8, at the Fox Theatre, and Friday, December 9, at the Ogden, may not create at the furious pace he managed during the Seventies, but he continues to give good show. In combination with the P-Funk All-Stars (essentially, those members of the...

By Michael Roberts

December 6, 1995

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George Clinton, Thursday and Friday, December 7 and 8, at the Fox Theatre, and Friday, December 9, at the Ogden, may not create at the furious pace he managed during the Seventies, but he continues to give good show. In combination with the P-Funk All-Stars (essentially, those members of the Parliament/Funkadelic family tree in good graces with Dr. Funkenstein), Clinton cranks out hour after hour of woozy, mind-tripping grooves held together primarily by the force of his personality. The spontaneity and exuberance the followers of Uncle Jam bring to the table in these days of choreography and caution is more than rare: It's positively inspiring. Free your mind and your ass will follow.

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Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

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