The Gilmore show is made up of drawings and paintings that combine abstract painting techniques such as splashes, drips and runs with rudimentary depictions of recognizable subjects like the figure and boats. In the mixed-media drawing The Fishermans Hat,: the artist places a nude male figure done in a primitive style with a boat and a motif of repeated crowns. The figure is the fisherman; the crown is his hat. Nautical themes are also seen in A truly glorious wake: and the closely associated So long to find a simple soul,: both in oil on canvas. Theres a rowboat at the center of each picture.
The sea and shipping are Nitsches main concerns, as well. A couple of his sculptures have been placed among the Gilmores, but the pièce de résistance is Wotan (Withering),: an ambitious installation (detail above) that looks like a shipwreck, complete with little lifeboats. The piece looks rickety and dangerous with its hundreds of pounds of assembled wooden debris looming threateningly overhead, and as you climb the stairs, you may be tempted, as I was, to cover your head. Its the effect Nitsche wanted, but he assured me that Wotan: is safe, since theres a substantial armature underneath that holds the whole menacing thing up.
These two shows may be the last events at Emmanuel to elicit the interest of those of us off campus for a while. Interim director Ken Peterson is stepping down, and the place will be run by an intra-campus committee. The verdict for the important fall-season schedule is already in, and its completely filled with faculty and student shows, which have, if youll excuse me, an invariably incestuous quality thats of little interest to most of the towns exhibition viewers. While theres a role for these kinds of shows, its a shame that Emmanuel, which has always devoted a part of its calendar to them, is now stuck with them all the way through the fall art season.