Busy touring far and wide following the success of his 2011 "debut" Wayward Fire, Mohager is finally getting around to finishing his follow-up record -- a yet-to-be-titled LP created during a month spent living in a swinging pad in the hills overlooking Malibu and surfing every day.
Created with longtime collaborator and erstwhile Coloradan Isom Innis (the pair first met in a church basement in Colorado Springs), the new record sheds some of Wayward Fire's devotion to '80s-inspired dance-rock to explore more contemporary and timeless aesthetics. According to Mohager, it "doesn't sound like an era anymore." We caught up with Mohager last week to talk about the new record, collaborating with Innis and his newfound love of surfing, among other things.
Westword: How long has it been since you last did a show with 3Oh3!?
Kam Mohager: Shit, to be honest I can't even remember. It's been a really long time since we've shared the stage. Maybe two years.
Are you excited to get together for the New Year's show?
Yeah, it'll be great. Sean lives out in LA. When we're both home, we hang out all the time. It's always nice to see him. I talk to Nat (Nathaniel Motte) once every couple weeks, so we keep in touch. It'll be cool, like old times, to get on stage together. Who knows, maybe we'll jump on stage with each other and do some tunes.
You just finished up working on your new album a couple weeks ago. Tell me about that.
There are still some tiny little tweaks I'll be doing for the rest of the month, but other than that, the record is done. I moved to this really cool four-bedroom house in the Malibu hills and lived there for a month -- myself and my friend Isom (Innis), who co-wrote and produced the record with me. He had all the gear. We could either spend the money in a studio, or we could rent this amazing house for a month. It was pretty rad. We lived in Malibu for a month and woke up and made music everyday. It had some of the best surf spots right around it. I'd go surf and then come back and work on music.
Isom's solo stuff, when he's not playing with Foster the People, is more electronic. Did some of that find its way into the new album?
Without a doubt. Chain Gang of 1974 is constantly evolving when it comes to the sound. I've never released a record that sounds like the last one -- from the early EPs to the debut album. It's always been changing, but you can always tell it's Chain Gang if you're familiar with the band. When we were writing and recording Wayward Fire, I was gaining influence from bands from the '80s, and that came through on the record. I remember Isom would try to do these modern percussion tweaks, and I'd stop him because it had to sound like it was from the '80s.
This time around, I told him, "You have free range to do whatever you want," and that created an album that has a really cool feel. I don't know how to describe it. It's heavily electronic but really intricate and cool. There's some punk influence, too. It's a heavy record. It's very loud and in-your-face. It doesn't sound like an era anymore. I don't know what it sounds like, but I'm really stoked about it.