Dale Watson

No one can accuse Dale Watson of not being country enough. The Austin-based singer-songwriter, supported on this bill by Jim Dalton and Tony Nascar, has a bottomless bar-room voice, a wonderfully baroque delivery, and a pronounced ornery streak he proudly displays on "Country My Ass," in which he attacks watered-down...

By Michael Roberts

April 24, 2008

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No one can accuse Dale Watson of not being country enough. The Austin-based singer-songwriter, supported on this bill by Jim Dalton and Tony Nascar, has a bottomless bar-room voice, a wonderfully baroque delivery, and a pronounced ornery streak he proudly displays on "Country My Ass," in which he attacks watered-down C&W with the couplet "Force feed us that shit/Ain't you real tired of it?" Moreover, he actually lives the country life, as director Zalman King learned while making Crazy Again, a 2006 documentary in which Watson tells about the nervous breakdown he suffered after a car accident killed his girlfriend; during the worst moments of his madness, he believed Satan was talking to him directly. Watson's struggles, as well as his adventures, inform every note of his best recordings, including 2006's From the Cradle to the Grave, in ways that the Tims and Faiths and Kennys of the world can't possibly replicate. That, my friends, is country.

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Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

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