Danger Radio

The backlash against the sort of angsty emo that's dominated the modern-rock landscape in recent years is in full swing, and Danger Radio's definitely dialed to the current wavelength. Although the band, joined on this date by Farewell, Brighten and Red Care Wire, hails from Everett, Washington, in the middle...

By Michael Roberts

September 11, 2008

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The backlash against the sort of angsty emo that's dominated the modern-rock landscape in recent years is in full swing, and Danger Radio's definitely dialed to the current wavelength. Although the band, joined on this date by Farewell, Brighten and Red Care Wire, hails from Everett, Washington, in the middle of Kurt Cobain territory, the combo prefers bouncing beats and falsetto vocals to sludgy power chords and exaggerated raspiness. Witness Used and Abused, the act's latest for Photo Finish (the label that released 3OH!3's Want). When lead singer Andrew de Torres talks about "walking into danger," he's not referring to a firefight in Tikrit. Rather, he's readying himself "for a slow dance with a stranger." Jeez, Wally, if he's not careful, he could wind up with a bruised ego! Granted, Danger Radio's ass-shaking superficiality offers a catchy change of pace. But after a few more seasons of this, a return to angstiness might not be such a bad thing.

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Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

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